Out of Many: Histories of the United States
HCOM 253
Spring 2001
David A. Reichard
Institute for Human Communication
California State University, Monterey Bay
The syllabus given below is a small excerpt from
the course Web site available at
http://classes.csumb.edu/HCOM/HCOM253-01/world/index.html
Satisfactory completion (at least a grade of C) of this course
will allow you to meet two (2) University Learning Requirements
(ULR) : Culture and Equity as well as U.S. Histories.
In this course, we will compare the commonly portrayed "standard
narrative" of U.S. history with a variety of what may be termed
"alternative histories." Through such an approach, we
will seek not only to understand the underlying historical changes
in the history of the United States over a significant period of
time, but also will grapple with the politics of writing and conceptualizing
history, as we analyze the sometimes contested interpretations of
U.S. history among scholars and ordinary people.
To accomplish these goals, we will examine a wide range of source
material including original documents, oral history, photographs
and film, literature and material culture from particular times
and places. We will also examine a variety of interpretations of
such evidence from diverse points of view. Throughout the course,
we will maintain a multi-cultural perspective of the history of
the United States since 1848. In the process, you will develop your
own skills in historical research, develop your own interpretive
framework, and consider your own life in its historical context.
Course Materials
The following materials are required for the course. Books may
be puchased at the CSUMB bookstore. If you purchase these books
elsewhere, make sure to obtain the same editions we will be using.
Ronald Takaki, A Larger Memory: A History of Our Diversity With
Voices (Boston: Little Brown & Co. 1998)
Choose one of the following novels:
Anzia Yezierska, Bread Givers, A Novel (New York: Persea
Books, 1999) (revised edition)
Yoshiko Uchida, Picture Bride, A Novel (Seattle: University
of Washington Press, 1998)
Additional articles/documents available on the website for this
course. Note that some of these materials are on e-reserve, available
from the CSUMB library homepage. These materials are password protected.
I will distribute this password in class.
Videos (screened in class). Most of these videos are available
in the CSUMB library.
Deliverables
(1) Descriptions
(A) Class Participation (10 points)
(B) Reading Review Questions (20 points)
(C) Reflection Essay for Bread Givers or Picture Bride (20 points)
(D) Mid-Term Reflection (20 points)
(E) Participation in Final Class Project and Final Reflection
(30 points)
(2) General Policies
(A) Class attendance
(B) Lateness
(C) Deliverable Due Dates and Point Allocation/Final Grade
(D) Final Portfolio of Coursework
(E) Policy on Incompletes
(1) Descriptions
(A) Class Participation (10 points)
The study of history requires dialogue and the exchange of ideas.
While we may not always agree with each other, learning to listen
and express ourselves with respect for each others' differences
will make for a productive learning experience for all of us.
You will achieve satisfactory participation (8-10 points) for this
course if you regularly attempt to meet at least most of the following
criteria:
- regular class attendance
(missing no more than 3 class meetings)
- expressing your opinion and analysis
of course readings, documents or films
- respectfully responding to observations of
your colleagues (including the professor)
- asking questions or seeking clarification of
another person's point of view
- introducing outside materials, observations
or issues we have NOT raised in class
- participation in our in-class group activities
- empathic and active listening to others'
points of view
(B) Reading Review Questions (possible
20 points)
Each week, there will be a set of review questions linked from the
course outline on the website. These questions are designed to encourage
you to read the course materials and give you the opportunity to
demonstrate your ability to comprehend and analyze those materials.
You will be required to hand in 10 of the 11 question sets available
during the semester. These questions are due (as a general rule)
on Thursdays in class. Assuming that your responses to these questions
are satisfactory (see below) your final points will be adjusted
as follows for any missing questions:
- hand in 11 of 11 questions--20 points PLUS
extra 5 points bonus!
- hand in 10 of 11 questions---20 points
- hand in 9 of 11 questions---15 points
- hand in 8 of 11 questions--10 points
- hand in 7 of 11 questions 5 points
- hand in less than 7--no points
Satisfactory completion of these questions will include:
- responding to the assigned secondary materials
for that week OR
- drawing on the assigned primary materials for
that week to formulate your own interpretation AND
- using examples from the course materials for
that week to illustrate your general conclusions
(C) Reflection Essay in response to
Bread Givers or Picture Bride (20 Points)
Write a reflection essay about EITHER Bread Givers or Picture
Bride. In the essay you should specifically address some of
the following themes. Please feel free, however, to develop this
essay in any form you see fit as long as you address at least two
of the following themes:
How gender shaped the migration experience for men and women in
different ways
- Social class and immigrant identity
- Inter cultural conflict in the "new world"
- The persistence of the memory of "home,"
life before migration
- Whether fiction is a useful way to examine
history
You may submit papers electronically as an attachment to an e-mail.
General guidelines for your papers:
- ALL PAPERS MUST BE HANDED IN ON THE DATE DUE.
NO LATE PAPERS WILL BE ACCEPTED.
- The paper should be 3-5 pages, typed
and double spaced.
- Papers should be well organized, clearly written,
professional and presentable.
- You should illustrate general conclusions with
concrete examples from the readings.
- All quotes from the novel should note page
numbers. Eg. (Picture Bride, p. 50) (Bread Givers,
p. 50)
After I review this essay you will have an opportunity to review
my comments and conduct a self assessment addressing whether and
how well you have met these outcomes. You should then return the
paper to me with:
- self assessment cover sheet for Novel Reflection
Paper
- original paper with my comments
- rewritten paper (optional)
(D) Mid-Term Reflection (20 Points)
The mid-term reflection paper is a chance for you to consider how
your understanding of U.S. histories has changed up to this point
in the course. For this paper, choose one issue or topic that we
have covered in the course up to this point that has challenged
or changed the understanding of U.S. histories that you brought
with you into the course. The paper should at minimum include:
- a description of the issue or topic you chose
(eg. the slave experience)
- a description of how your understanding of
that issue has changed (eg. had never considered the slave
- experience itself from the perspective of a
slave)
- an example from the course materials that especially
illustrates how your understanding of the issue
- has changed (eg. one of the narrartives from
A Larger Memory)
- some indication of how this issue or topic
has caused you to re-consider the history of the United States
- in general (eg. you were able to study the
experiences of African-American slaves in relationships to other
migration experiences, such as Irish men and women in the 19th
century)
You may submit papers electronically as an attachment to an e-mail.
General guidelines for your papers:
- ALL PAPERS MUST BE HANDED IN ON THE DATE DUE.
NO LATE PAPERS WILL BE ACCEPTED.
- The paper should be 3-5 pages, typed
and double spaced.
- Papers should be well organized, clearly written,
professional and presentable.
- You should illustrate general conclusions with
concrete examples from the readings.
- All examples from course readings should note
the source and the page number. Eg. (A Larger Memory, p.
25)
After I review this essay you will have an opportunity to review
my comments and conduct a self assessment addressing whether and
how well you have met these outcomes. You should then return the
paper to me with:
- self assessment cover sheet for The Mid-Term
Reflection Paper
- original paper with my comments
- rewritten paper (optional)
(E) Final Course Project (30 Points)
The final project for this course will involve the class as a whole.
We will define, design and display a public history project for
the campus on a topic of the group's choosing. Some of the tasks
that we will complete as a group will include:
identifying an issue/topic/historical question to explore
researching the substantive history of that issue
discuss choices as to how we will present our research in the form
of a public history exhibit
divide the class into working groups so we can all contribute to
the project in ways that take advantage of our individual interests,
strengths and experiences.
Outcomes for the Final Project:
Outcome One: Analysis and comprehension of the subject matter
chosen for the project
Outcome Two: Developing skills which will facilitate becoming
your own historian
Outcome Three: A greater understanding of the politics of historical
interpretation
Deliverables for the Final Project
You may submit papers electronically as an attachment to an e-mail.
General guidelines for your papers:
- ALL PAPERS MUST BE
HANDED IN ON THE DATE DUE. NO LATE PAPERS WILL BE ACCEPTED.
- The paper should be
3-5 pages, typed and double spaced.
- Papers should be well
organized, clearly written, professional and presentable.
- You should illustrate general conclusions
with concrete examples
(2) General Policies
(A) Class attendance
Because of the importance of class participation for the success
of this course, YOUR ATTENDANCE IN CLASS IS EXPECTED ABSENT AN EMERGENCY.
Significant absences from class will result in your inability to
participate in class discussions and will have a detrimental effect
on your final grade. If you are not in class, you cannot participate!
(B) Lateness
All deliverables are due on the days indicated on the syllabus.
Absent an emergency, no late papers or other deliverables will be
accepted after those due dates.
(C) Deliverable Due Dates and Point
Allocation/Final Grade
Participation
Deliverable
|
Due Date |
Points |
Class Participation |
Ongoing |
10 |
Question Sets
Deliverable |
Due Date |
Point Scale |
Question Set One |
February 8 |
11 of 11 = 20 + 5 extra |
Question Set Two |
February 15 |
10 of 11 = 20 |
Question Set Three
|
February 22 |
9 of 11 = 15 |
Question Set Four |
February 27 |
8 of 11 = 10 |
Question Set Five |
March 8 |
7 of 11 = 5 |
Question Set Six |
March 39 |
6 or less = 0 |
Question Set Seven |
April 12 |
|
Question Set Eight |
April 19 |
|
Question Set Nine |
April 26 |
|
Question Set Ten |
May 3 |
|
Question Set Eleven |
May 10 |
|
Reflection Papers
Deliverable
|
Due Date |
Points |
Mid-Term Reflection |
March 15 |
20 |
Novel Reflection |
April 5 |
20 |
Final Project
Deliverable
|
Due Date |
Points |
Working Groups Report
|
March 6 |
-- |
Your participation
|
ongoing |
15 |
Final Reflection Paper |
May 17 |
15 |
You can use this progress tracking sheet to help you keep track
of the deliverables for the course. [Tracking sheet available at
course Web site.]
Final Grading Scale
90-100 points = A
80-89 points = B
70-79 points = C **
60-69 points = D
Less than 60 = F
** Minimum required to obtain ULR credit for this course
(D) Final Portfolio of Coursework
At the end of the semester, you should submit ALL of the deliverables
for the course in the form of a portfolio. This portfolio should
contain:
- All returned Question Sets you completed
- Mid-Term Reflection Paper and Self Assessment
Sheet
- Reflection Paper for Bread Givers or Picture
Bride and Self Assessment Sheet
- Final Reflection Paper for Final Project
(E) Policy on Incompletes
Incompletes in this course will ONLY be given to students who meet
the following
criteria:
- nearly all the deliverables for this course
have been submitted and only one major deliverble has not
- been completed by the end of the semester
- the student has clearly been unable to complete
this deliverable due to unforseen circumstances that make completion
impossible
- the student has requested an incomplete and
has submitted all the required paper-work required by CSUMB to
me by the last week of classes for the given semester
- the student is likely to complete the remaining
deliverable by the end of the next sequential semester (if
- the course is a fall course) or the beginning
of the fall semester (if the course is a spring course).
Weekly Outline
Week of January 29: Course Introduction
January 30: Syllabus and Outcomes
No reading assigned
February 1: Becoming Your Own Historian
We will discuss the final class project.
Week of February 5
February 6: Framework, Themes and Issues
A Larger Memory, pp. 3-28
"Prologue" and "Part I: A Larger Memory"
February 8: Overview presentations--Histories of the 19th Century
United States
A Larger Memory, pp. 47-55
Maps for Class Discussion
DUE IN CLASS: Question Set One
Week of February 12
February 13: Overview Presentation--The Creation of an American
West
A Larger Memory, pp. 56-78, including:
"The Significance of the Frontier in American History: An Indian
Perspective"
"The Coming of the Wasichus"
"The End of the Frontier"
"The American West: Out of Myth, Into Reality" from an
exhibit at the Mississippi Museum of Art
Web Document: Browse these 19th Century Images of the Western Landscape.
February 15: Discussion: Remembering The U.S./ Mexican War
All Read
"Introduction,""Native American Displacement Amid
U.S. Expansion" and "A Mexican Viewpoint on the War With
the United States." These essays are from a website accompanying
the PBS television series The U.S./Mexican War.
AND browse at least one of the following links:
"Where is their monument?" from the Descendants of Mexican
War Veterans
Álbum conmemorativo de la guerra entre México y Estados
Unidos/The Mexican American War Homepage from the Universidad Nacional
Autónoma de México (in Spanish or English)
The Aztec Club of 1847
VIDEO: Selection from "The U.S./Mexican War"
We will also discuss the choice of topic for the final class project
and divide the class into working groups for the remainder of the
semester. It is critical that you attend class this day!
DUE IN CLASS: Question Set Two
Week of February 19
February 20: Overview Presentation: The Making of an Ante-bellum
Industrial Working Class
Jacqueline Jones, "The Northern Laboring Classes at Odds with
One Another, Before and During the Civil War," from A Social
History of the Laboring Classes from Colonial Times to the Present
(Walden, Massachusetts: Blackwell Publishers, 1999) (E-Reserve)
EXTRA: Examples of on-line exhibits about industrialization and
working class lives in the United States
Representations of Youngstown Exhibit, created by students at Youngstown
State University
The Five Points Site
Like a Family: The Making of a Southern Cotton Mill World
The Glovers of Fulton County
Between a Rock and a Hard Place (Sweatshop exhibit)
Bridgeport Working
Women and Work in Hawai`i: Into the Marketplace
February 22: Overview Presentation: Slavery, Civil War and Reconstruction
A Larger Memory, pp. 79-83
AND choose two of these documents from A Larger Memory
"Don't Give a Nigger An Inch" (84-88)
"The Best Mistress and Master in the World" (89-95)
"Git This Nigger to the Cotton Patch" (96-101)
"After Slavery: A Personal Account of the New Bondage"
(102-111)
DUE IN CLASS: Question Set Three
Week of February 26
February 27: Discussion: Remembering The Civil War in Popular Culture
Leon F. Litwack, "Telling the Story: The Historian, the Filmaker
and the Civil War," from Robert Brent Toplin, ed. Ken Burns's
Civil War (New York: Oxford University Press, 1996) (E-Reserve)
VIDEO: Selections from:
D.W. Griffith's "Birth of a Nation,"
Ken Burns' "The Civil War"
Edward Zwick's "Glory"
DUE IN CLASS: Question Set Four
EXTRA!! There are numerous sources on the web relating to the U.S.
Civil War. A comprehensive site with hundreds of links to other
sites can be found at the American Civil War Homepage.
Here are some examples of documents, personal narratives or first
person memories of the war.
Soldiers:
Newton Robert Scott, Private, Company A, of the 36th Infantry, Iowa
Volunteers. Review several letters which are accessible from a Table
of Contents by date.
Letters from Samuel S. Dunton to his family while in the 114th New
York Infantry. Review several letters which are indexed on this
main page.
Letters of Pvt. Giberson, 14th New Jersey Volunteers.
The Letters of Edmond Hardy Jones, Private, 64th Georgia
Civil War Letters of a Jewish Soldier from The American Civil War,
1861-1865, World Wide Web Information Archive
Melvin Dwinnell, Lieutenant, later Captain, Company A, Rome Light
Guards, 8th Georgia Infantry
Euro-American Women (Union and Confederate)
Civil War Women, On-line Archival Collections, Special Collections
Library, Duke University, especially the Alice Williamson Diary
kept by a school girl in Tennessee which chronicles the arrival
of Union troops.
Diary of Rachel Cormany, Chambersburg, Virginia (1863) from the
Valley of the Shadow Project
Diary of Carrie Berry, Selections, 10 years old, Atlanta, Georgia,
Aug. 1, 1864 - Jan. 4, 1865
Civil War Reminiscences, Catharine Hunsecker, Franklin County, Pennsylvania
from the Valley of the Shadow Project
Slave Narratives
Hannah Valentine and Lethe Jackson Slave Letters, 1837-1838, from
the Campbell Family Papers, Special Collections Library at Duke
University
Hariet A. Jacobs, Incidents in the life of a slave girl (1861),
The Digital Schomburg, collections of the African Diaspora and Africa,
The New York Public Library
The Underground Railroad Site, University of California, Davis:
Especially review the personal narratives of Frances Ellen Watkins
Harper, Anna Maria Weems, as well as the Music of the Underground
Railroad
Prologue, from The Narrative of the Life of Frederick Douglass,
An American Slave, from the University of Southern California, Department
of Ethnic Studies
Solomon Northrup, "THERE IS NO SUCH THING AS REST" from
Excerpts from Slave Narratives, Edited by Steven Mintz, University
of Houston
Remembering the War in Popular Culture--Select Sites
Defending American Heritage, Preserving Confederate Memory
Civil War Photographs from the Library of Congress
The Civil War.Com
Civil War Book News
Bob Koch's Civil War Website
March 1: Class Project Working Group Meetings
There will be NO CLASS MEETING. You should use this time to meet
with your project working group to continue work on the final project.
Week of March 5
March 6: Overview Presentation: The 19th Century Migration Experience--The
Irish Example
A Larger Memory, pp. 112-116
Web Document: "The Tide of Emigration to the United States
and to the British Colonies" (Illustrated London News, 1850)
from the Irish Famine Homepage
Web Document: "Scenes of Misery," (The Cork Examiner,
January 10, 1847) from the Irish Famine Homepage
Web Document: "Images of the Famine" especially "The
Day after the Ejectment," an "Irish Coffin Ship,"
and "A family evicted by their landlords" from the Irish
Famine Homepage
DUE IN CLASS: One page typed report from EACH final project working
group
In this report the group should:
describe ideas that the groups has come up with regarding their
role in the final project
identify specific tasks that the group will try to complete by March
15
March 8: Overview Presentation: The 19th Century Migration Experience--The
Chinese Example
A Larger Memory, pp. 129-132
AND these documents from A Larger Memory
"How Can I Call This My Home?" (133-138)
"Like Country Pretty Much" (139-144)
Valerie Natale, "Angel Island: 'Guardian of the Western Gate'"
from the National Archives and Records Administration
Web Document: Angel Island Poetry, composed by Chinese migrants
to California in 19th-20th centuries on the walls of detention centers--browse
the sample poetry included on this website.
VIDEO: Selection from "Chinese Gold: The Chinese of the Monterey
Bay"
EXTRA!! Images of the Chinese in Harper's Weekly
"Hard to Please the `White Trash.'" April, 1878
"The Vintage in California--At Work at the Wine-Presses"
October, 1878
"The Poor Barbarians Can't Understand Our Civilized Republican
Form of Government," September, 1879
"See here, me Chinee Haythun, I'm wan of the Committee of National
Safety.....Ye must go!" March, 1880
"Let the Chinese Embrace Civilization and They May Stay,"
n.d. (c. 1880)
"Scene of a Chinese Opium Palace, San Francisco," April,
1880
"Every Dog (No Distinction of Color) Has His Day," April,
1879
"The Comet of Chinese Labor" (referring to the importation
of Chinese workers from the west coast to break a strike at a factory
in Massachusetts), 1870
For more information on the Angel Island, see:
Angel Island Poetry, especially the Angel Island Photo Gallery from
A Multimedia Companion to the Anthology of Modern American Poetry
(Oxford University Press, 2000) Edited by Cary Nelson
Life on Angel Island from the Angel Island Website
DUE IN CLASS: Question Set Five
Week of March 12
March 13: Discussion: Becoming "--American" in the 19th
Century--Irish and Chinese Second Generations
Philip Kasinitz, "A Third Way To America," from Culturefront
Online, Summer 1999
AND the following documents:
A Larger Memory, "A Chance to Take Care of Myself" (145-151)
Alethea Callahan, "No Irish Need Apply": A Critical Perspective
of the Irish in America
EXTRA!! Here are some examples of on-line resources relating to
the history of Irish and Chinese immigration.
Building the Gold Mountain: Philadelphia's Chinatown from the Balch
Institute for Ethnic Studies in Philadelphia
Gloria Ricci Lothrop, "The Irish in Los Angeles" from
the Historical Society of Southern California
The Irish Heritage Museum, East Durham, NY
March 15: Mid-Term Class Reflection and Group Project Reports
DUE IN CLASS: Mid-Term Reflection Paper
Week of March 19: Spring Break
No classes!
Week of March 26
March 27: Overview Presentation: Major Themes in 20th Century U.S.
Histories
A Larger Memory, pp. 155-160
March 29: Discussion: Hawai'i--State or Independent Nation?
Web Document: Political cartoons of Uncle Sam's role in the world,
by Jim Zwick especially Uncle Sam -- "Guess I'll keep 'em!"
(1898), The White (?) Man's Burden (1899) and "Before and After
Taking." (1898) from the web site, Anti-Imperialism in the
United States, 1898-1935, maintained by Jim Zwick
Web Document: Committee on Indian Affairs, Selection from "To
Express the Policy of the United States With Regard to the United
States' Relationship With Native Hawaiians and for Other Purposes,"
Report submitted to the U.S. Senate, 106th Congress, September 2000
(Browse, paying special attention to how the committee describes
the history of the relationship between native Hawai'ians and the
U.S. government).
Web Document: U.S. apology to Native Hawai'ians (1993) and "We
Need Your Kokua (Help)" from the Hawai'ian Independence Homepage
Web Document: Hawai'i United for Liberation and Independence (HULI)
VIDEO: Act of War: The Overthrow of the Hawai'ian Nation
DUE IN CLASS: Question Set Six
Week of April 3
April 3: Overview Presentation: 20th Century Migrations to and Within
the United States
"The 'Great Migration' of African Americans From the Rural
South to the Urban North" from History Net's 1998 National
History Day website.
April 5: Discussion: Women and Migration--Japanese and Jewish Women
Compared
For those who choose Bread Givers:
A Larger Memory, pp. 161-164,
AND, choose ONE of the following documents from A Larger Memory:
"A Sweatshop Girl" (165-173)
"Dear Editor--Letters from Jewish America" (174-187)
Links of interest regarding Jewish immigration to the United States
How the Other Half Lives
Tenement Museum, New York City
Creating American Jews: An Online Exhibit
For those who choose Picture Bride:
To help you prepare to discuss this novel, consult the Glencoe Literature
website which contains a useful study guide (in PDF format).
For more detailed background to Japanese "picture brides,"
and the Issei (or first generation) migrants to the United States,
see "The Early Issei" from the Balch Institute for Ethnic
Studies exhibit on the Japanese American Experience.
Web Document: Images of Japanese American life before World War
II. Japanese Town (Nihonjin-Machi), San Francisco, California; and
the Nonaka Family Collection, Japanese Town, (Nihonjin-Nachi), San
Francisco California from the Japanese Town Archives, the Fillmore
Museum
DUE IN CLASS: Reflection Paper for Bread Givers or Picture Bride
Week of April 9
April 10: Overview Presentation: Major Themes in 20th Century Chicano
History
Choose:
Rudolpho Anaya, "At a Crossroads," from The Anaya Reader
(New York: Warner Books, 1995) (E-Reserve)
"A History of Mexican Americans in California: Revolution to
Depression, 1900-1940" from the National Park Service Online
AND
Choose one of the following documents from A Larger Memory:
"Searching for a Door to America" (242-247)
"A Song of El Norte" (248-262)
VIDEO: Selection from "100 Years of Chicano History"
April 12: Discussion: The Relevance of Histor(ies)--Land Struggles
in the American Southwest
Elizabeth Martínez, "Whose Chicano History Did Your
Learn?" from De Colores Means All of Us: Latina Views for a
Multicolored Century (Cambridge: South End Press, 1998) (E-Reserve)
VIDEO: Selections from "The Border"
DUE IN CLASS: Question Set Seven
Week of April 16
April 17: Project Group Meetings!
IN CLASS, we will meet in our project sub-groups to work on the
class project.
April 19: Open Forum: Creating an Action Plan for Completing Class
Project
DUE IN CLASS: Question Set Eight
Week of April 23
April 24: Overview: From Depression to War--The 1930's and 1940's
as Watershed
A Larger Memory, pp. 211-221
Web Document: Browse the Migrant Experience web site from the Library
of Congress.
April 26: Discussion: Japanese-American Internment--The View from
Within
A Larger Memory, pp. 188-189 also including
"A Birthright Denied: Monica Sone" (190-201)
"A Birthright Renounced: Joseph Kurihara" (202-210)
Web Document: Photographs from the War Relocation Authority on Japanese
Americans returning to the Monterey Peninsula.
VIDEO: "Something Strong Within: Home Movies from America's
Concentration Camps"(produced by the Japanese American National
Museum, 1994)
EXTRA!! You can visit a number of sites which illustrate the Japanese
American experience in the camps. Here are some suggestions: On
the Heart Mountain Fair Play Committee, formed to fight against
the internment camps in the 1940's, see the website accompanying
the documentary Conscience and the Constitution: A Story of Japanese
America which deals with the controversial role of resistance to
the internment experience within Japanese American communities.
Other sites include the Rabbit in the Moon site which is also a
companion to an important new video about the internment experience,
especially its treatment on how "No-No Boys," Japanese
American men who refused to be drafted into the U.S. military during
the war.
The experience of "No-No Boys" was the subject of the
controversial novel, No No Boy, written in the 1950's by John Okada.
The book is now considered a classic Japanese American novel. See
quotes from the book here and one persons commentary on Okada.
See also a site from the University of Washington which looks at
the Puyallup Assembly Center known as "Camp Harmony."
Japanese-Americans Internment Camps During World War II, from the
Special Collections Department, J. Willard Marriott Library, University
of Utah
Photographs from the War Relocation Authority Camps in Arizona,
1942-1946 from the library at the University of Arizona
DUE IN CLASS: Question Set Nine
Week of April 30
May 1: In-class discussion about the final format of the Final Project
May 3: Discussion: The "Other" 1950's--Gay and Lesbian
Histories and the Reclaiming of Memory
Choose one:
Lillian Faderman, "Butches, Femmes and Kikis: Creating Lesbian
Subcultures in the 1950's and '60's" from Odd Girls and Twilight
Lovers: A History of Lesbian Life in Twentieth Century America (New
York: Penguin Press, 1991) (E-Reserve)
John Howard, "Place and Movement in Gay American History: A
Case from the Post-World War II South," from Brett Beemyn,
Ed. Creating a Place for Ourselves: Lesbian, Gay, and Bisexual Community
Histories (New York: Routledge, 1997) (E-Reserve)
James T. Sears, "Growing up as a Jewish Lesbian in South Florida:
Queer Teen Life in the Fifties," from Cultured Youth (New York:
NYU Press, 1997)
VIDEO: Selections from "Before Stonewall"
DUE IN CLASS: Question Set Ten
EXTRA!! Lesbian, Gay. Bisexual and Transgender community histories
have become more and more prevalent in the United States since the
1980's. Here are some examples of such projects from the web:
The Lesbian History Project
Gay, Lesbian, Bisexual and Transgender Historical Society of Northern
California
History of the Rainbow Flag
Artifacts and Disclosures: Michigan's LGBT Heritage
History of the Gay & Lesbian Community in Denver Colorado
The Lesbian Herstory Archives
Week of May 7
May 8: Final Project Installation/Set Up!!
May 10: Project!!
Week of May 14
May 15: Overview: Social Movements of the Late 20th Century
Choose one of the following document sets:
The Chicano Movement
Roberto Rodriguez, "The Origins and History of the Chicano
Movement," (April 1996) from the Julian Samora Research Institute
at Michigan State University
"A History of Mexican Americans in California: The Chicano
Movement" from the National Park Service Online
The African American Civil Rights Movement
"The Civil Rights Era," selection from the African American
Odyssey on-line exhibit, the Library of Congress
Web Document: The Reverend Martin Luther King Jr., "Loving
Your Enemies" (1957) and "Remaining Awake Through a Great
Revolution" (1968) from the Martin Luther King Papers Project
at Stanford University. Note you can hear excerpts from these and
other sermons and speeches from King on the multimedia page.
Web Document: Malcolm X, excerpts from "It's The Ballot Or
The Bullet," speech delivered April 3, 1964 at the Cory Methodist
Church, Cleveland, Ohio. Reprinted at the World History Archives
Women's Liberation Movement
Women's Liberation: Origins and Development of the Movement from
Women's History Shaping San Francisco
Web Document: Gloria Steinem, 'Women's Liberation' Aims to Free
Men, Too" in The Washington Post, June 7, 1970 reprinted on
the Women's Liberation On-line Archives
Web Document: Rep. Shirley Chisholm, "Equal Rights for Women,"
presented in the U.S. House of Representatives, May 21, 1969, reprinted
on the Women's Liberation On-line Archives
May 17: Final Course Reflection
DUE IN CLASS: Final Reflection Paper Due in Class
That's All Folks!
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